Harvard Art Museum / Research Centers

The Straus Center for Conservation and Technical Studies provides analysis and treatments for the Harvard Art Museum's more than 150,000 objects in all media, ranging in date from antiquity to the present, from Europe, North and South America, North Africa, the Middle East, India, Southeast Asia, and East Asia. In addition to serving the conservation needs of the Art Museum, the Straus Center also operates as a regional conservation facility, offering fee-for-service treatments, surveys, and consultations for museums, libraries, historical societies, historical sites, and private art collectors.

Training and education are fundamental activities of the Straus Center, maintaining a tradition established at its founding over 80 years ago, when it became the first institution in the United States to use scientific methods to study artists' materials and techniques. The center's Advanced-Level Training Program provides formal hands-on training in the conservation of works on paper, paintings, and objects and sculpture, as well as in conservation science. This program was formalized in 1972 with support from the National Endowment for the Arts and offers three 10-month fellowships each year. Supervised by the Straus Center's conservators and conservation scientists, fellows refine their practical and analytical skills as they examine and treat works of art from important collections from within the Art Museum and around the country, and publish their original research.

The Straus Center is a pioneer in the use of sophisticated examination and instrumental techniques to analyze the structural and chemical nature of works of art and historical objects. As a research institution, the Straus Center specializes in performing and publishing integrated technical and art historical studies of works of art in a variety of forums. Its facilities support a comprehensive range of analytical services, including pigment, stone, ceramic, and metal identification, as well as spectroscopic analyses of organic materials including pigments, paint binding media, and surface treatments and coatings. Much of the analytical staff's time is devoted to supporting student, faculty, and curatorial research.

The Center for Conservation and Technical Studies was established in 1928 by Edward W. Forbes, director of Harvard University's Fogg Museum. It is the oldest fine arts conservation treatment, research, and training facility in the United States. In 1994, the center was renamed the Straus Center for Conservation and Technical Studies in honor of Philip A. and Lynn Straus, longtime benefactors of the Harvard Art Museum. The Straus Center specializes in the conservation of works on paper, paintings, sculpture, decorative objects, and historical and archaeological artifacts.

The Straus Center for Conservation today continues to play a leading role not only in preserving specific works of art but also in developing new methods and techniques for the field of conservation and in training the next generation of conservators.

Straus Center for Conservation and Technical Studies

Henry Lie, director and senior conservator of objects and sculpture
Francesca Bewer, research curator
Matthew Brack, Craigen Bowen Conservation Fellow, paper lab
Angela Chang, associate conservator of objects and sculpture
Anne Driesse, conservator of works of art on paper
Katherine Eremin, conservation scientist
Jill Hari, Samuel H. Kress Conservation Fellow, objects lab
Teri Hensick, conservator of paintings
Charlotte Karney, senior conservation technician
Kathleen Kennelly, conservation coordinator
Narayan Khandekar, senior conservation scientist
Daniel Kirby, associate in conservation science
Penley Knipe, Philip and Lynn Straus Conservator of Works of Art on Paper
Lynn Lee, Andrew W. Mellon Postdoctoral Fellow in Conservation Science
Erin Mysak, Andrew W. Mellon Postdoctoral Fellow in Conservation Science
Louise Orsini, conservation fellow, paintings lab
Barbara Owens, conservation technician
Tony Sigel, conservator of objects and sculpture
Jens Stenger, associate conservation scientist